Beatrice Dillon - Workaround
How to use the reserve function
If you'd like to purchase items from our site but want to save money on shipping costs, you can use our reserve function to combine your orders over an unlimited period of time, and ship them together for one combined shipping price when you are ready.
Just hit the 'reserve' button at the checkout page as your shipping option when you've finished making your order, and your order will automatically be held in reserve here until you are ready for us to ship everything to you.You can keep as many orders in reserve with us via our site as you like, until you are ready to ship. Just send us an email when you are ready to ship your reserve orders, and we will get in touch with the combined shipping price, or ship for free if you have exceeded the minimum order amount for free shipping to your address.
Can the reserve function be used to get free shipping? Yes - If your combined order total is more than £50 within the UK, over £150 within the EU, or over £225 worldwide, we'll ship your order to you via courier service, for free.
Here's a step by step guide to using it:
1. Click on the account icon to log into your account.
If you don't have an account, please click 'create account' to make one. If you had an account on the old RWDFWD site, please create a new one with the same email address used on the old site - this will ensure your previous orders are brought through to your new account.
2. Add records to your cart as normal.
3. When you're ready to check out, select 'ship'.
4. Then select 'Reserve items' on the shipping method list, then continue to payment.
5. Once payment is complete, your order will show in your account as 'unfulfilled'. We will have put all the products aside in reserve for you to combine with other orders and ship later in bulk.
6. When you're ready to ship all the items you have in reserve, email us on info@rwdfwd.com and we will calculate the shipping due and arrange for payment to be taken.
7. Sit tight and wait for your records to arrive in the post!
Free Shipping?
We offer free shipping on orders over a certain value
UK orders over £50
EU orders over £150
Worldwide over £225
This is automatically applied at checkout and reserve orders also count towards it.
EU Order info
Unfortunately, the UK is no longer part of the EU - This means that certain shipments sent to addresses there from us may be subject to tax and / or import duty - All orders sent from RWDWD are sent ‘DDU’ - That is, duty unpaid - any import tax and/or duty is the sole responsibility of the buyer.
If you would like to use our reserve function to group several orders into one large shipment, we can arrange for it to be sent tax and duty pre-paid so you don’t have to worry about it at a later date - Contact us for more information.
>> Last copy <<
Jezuz Chryst - a reeeeal good'un from Beatrice Dillon on PAN - repressed -
‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythm-obsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro-Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.
Recorded over 2017-19 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14
bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.
‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.
With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.
Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.
Beatrice Dillon - electronics, drum programming, synths, percussion, tidal, bass, Kuljit Bhamra - tabla, dholak, darabukka (A1, A4, B1, B6), Verity Susman - alto and soprano saxophone (A2), Laurel Halo - vocal, additional synth (A2), Lucy Railton - cello (A3, A5), Petter Eldh - double bass (B2, B3), Kadialy Kouyaté - kora (B3), Batu - hi-hat (B1), Morgan Buckley - bodhrán (B1), Untold - electric guitar (A2, A3), Jonny Lam - pedal steel guitar (A2), Kenichi Iwasa - wavedrum, clave (A3, B6), James Rand (additional editing).
The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, r.phg.06, 2014 © DACS 2019.
Layout by Johannes Schnatmann & Bill Kouligas.
TRACKLIST:
1. Workaround One 03:37
2. Workaround Two 04:21
3. Workaround Three 04:24
4. Workaround Four 05:50
5. Workaround Five 01:36
6. Clouds Strum 04:45
7. Workaround Six 01:28
8. Workaround Seven 03:18
9. Workaround Eight 04:26
10. Workaround Nine 01:23
11. Square Fifths 04:31
12. Workaround Bass 00:41
13. Pause 00:12
14. Workaround Ten 01:18 
Workaround 1
Clouds Strum
Workaround 8
Workaround Bass