Cultureclash - Cultureclash (Cassette)
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Just hit the 'reserve' button at the checkout page as your shipping option when you've finished making your order, and your order will automatically be held in reserve here until you are ready for us to ship everything to you.You can keep as many orders in reserve with us via our site as you like, until you are ready to ship. Just send us an email when you are ready to ship your reserve orders, and we will get in touch with the combined shipping price, or ship for free if you have exceeded the minimum order amount for free shipping to your address.
Can the reserve function be used to get free shipping? Yes - If your combined order total is more than £50 within the UK, over £150 within the EU, or over £225 worldwide, we'll ship your order to you via courier service, for free.
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Free Shipping?
We offer free shipping on orders over a certain value
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EU orders over £150
Worldwide over £225
This is automatically applied at checkout and reserve orders also count towards it.
EU Order info
Unfortunately, the UK is no longer part of the EU - This means that certain shipments sent to addresses there from us may be subject to tax and / or import duty - All orders sent from RWDWD are sent ‘DDU’ - That is, duty unpaid - any import tax and/or duty is the sole responsibility of the buyer.
If you would like to use our reserve function to group several orders into one large shipment, we can arrange for it to be sent tax and duty pre-paid so you don’t have to worry about it at a later date - Contact us for more information.
"Lost Futures is a new label that explores experimental and often radical approaches to dance music from the past. In a musical landscape that increasingly claims to seek and reward new forms and ideas, Lost Futures delves into the recent past to revisit forward-thinking, optimistic projects that, owing to the social, musical or outright political climate, perhaps struggled to find an audience. Allowing only time to re-contextualise these leftfield, sometimes misunderstood and ultimately human bodies of work, Lost Futures taps into the inherent idealism of rave.
LF001 trips back until the early nineties to revisit the alternative scene emerging from the Dutch city of Utrecht. Here, three young men - DJ Zero One (Sander Friedeman), TJ Tape TV (Arno Peeters) and DJ White Delight (Richard van der Giessen) - joined forces to form 'The Awax Foundation'. Inspired by the transcendent and revolutionary electronic music arriving on their shores imported from Chicago and Detroit, combining their knowledge, gear and ever-expanding vinyl collection allowed additional freedom in paying sincere tribute to these intoxicating sounds, while also developing their tastes in a more personal, eclectic direction.
The musical flavours of Awax initially leaned toward acid house and the roots of techno. However, with three different mindsets in the mix, their tastes were rarely fixed. One thing each shared in common was a devotion to collecting rare sounds, specifically more adventurous and international samples than those emanating from the increasingly-hard, masculine dance music emerging from the Netherlands during the period. Inspired by the cross-over global sound of bands like Suns of Arqa, or 'World Music', as it was perhaps patronisingly termed at the time, the trio became interested in the idea of making techno with 'ethnic instruments'.
Of course, this being 1992, none of The Awax Foundation had access to such instruments; instead, they had a vast, collective library of samples from all over the world. There were no collaborations and no clear plan. Instead, they set to work using a Yamaha TX16W sampler, the legendary Atari 1040ST computer, a cheap mixing desk and a couple of low-end synths and FX machines. When Richard mentioned the project to his friend, Akin Fernandez, the London DJ and owner of cult label Irdial Discs, Fernandez was intrigued enough to invite the trio to record a one-hour show for his 'Monster Music Radio' series on London's then-burgeoning Kiss FM.
Forced to come up with a name, 'CultureClash' seemed like the obvious choice, even if the members of Awax were only creatively sparring among themselves. Along with the term 'ethno-techno', slightly dubious to a hopefully more conscious Western audience in 2017, these were the only guiding principles to the quietly ambitious project that soon combined cutting-edge machine rhythms with samples sourced from everywhere from Bolivia to Togo, and inspired by everything from Ravi Shankar's epic soundtrack to the Oscar-winning movie Ghandi, to the technical limits of their own setup requiring a dazzling degree of cut-and-paste work. Some tracks even emerged out of academic studies within the ethnomusicology department at The University of Amsterdam.
The show aired on October 2nd, 1992, recorded in one blistering take and without any rehearsals, traversing a huge variety of tempos and styles. If the performance wasn't seamless, it was undeniably thrilling, fresh and ambitious. As such, several labels, including Fernandez's aforementioned Irdial Discs expressed an interesting in commercially releasing CultureClash, while another imprint proposed a series of twelve-inches and an album. But the sheer complexity of the project meant that it never saw the light of day, while the trio embarked on different journeys ahead, both creative and personal.
Twenty five years later, and the original CultureClash lineup and founding members of The Awax Foundation provide the sound of the first release from Lost Futures. An otherworldly, ambitious and optimistic compilation, accompanied by extensive sleeve notes from the trio, CultureClash is a timeless ode to experimentation in dance music's ever-overlapping culture."
Tracklist
1. "Mama Africa"
2. "UU Inlands" (Halal edit)
3. "Zitarz"
4. "Never Take A Wrong Turn When You're In The Jungle"
5. "Ama-Zone"
6. "Sultan Groove"
7. "Bad Dream"
8. "Asian Approach"
9. "Mystic" (House dub)
10. "Khoomiy" (dub)
11. "Yatiyana"
Zitarz
Ama Zone
Sultan Groove
Asian Approach