Maoupa Mazzocchetti - Gag Flag
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Can the reserve function be used to get free shipping? Yes - If your combined order total is more than £50 within the UK, over £150 within the EU, or over £225 worldwide, we'll ship your order to you via courier service, for free.
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Free Shipping?
We offer free shipping on orders over a certain value
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EU orders over £150
Worldwide over £225
This is automatically applied at checkout and reserve orders also count towards it.
EU Order info
Unfortunately, the UK is no longer part of the EU - This means that certain shipments sent to addresses there from us may be subject to tax and / or import duty - All orders sent from RWDWD are sent ‘DDU’ - That is, duty unpaid - any import tax and/or duty is the sole responsibility of the buyer.
If you would like to use our reserve function to group several orders into one large shipment, we can arrange for it to be sent tax and duty pre-paid so you don’t have to worry about it at a later date - Contact us for more information.
After scrawling his name on releases with close affiliates PRR! PRR! and for the Mannequin and Unknown Precept labels, new Brussels transplant Mazzocchetti finds good company among the oddballs on Editions Gravats for ‘Gag Flag’’s blend of avant dance music and absurdist experimental pop.
For ‘Gag Flag’ Mazzocchetti adopts the persona of “Snippet Boy”, a fictional avatar who first came to life in his live shows, and now in hyperstitious manifestation on the album sleeve. Lurking behind this persona, Mazzocchetti becomes an art-dance-pop puppeteer who yanks listener’s strings and takes popshots at industry overproduction, deflating egotism and hackneyed convention in a way that echoes the subversive approach of his heroes such as Devo and The Residents.
Using a blend of plugged in and acoustic instruments, Mazzocchetti conjures nine psychedelically misshapen and inexorably funked-up grooves, splashing from the lysergic swagger of ‘Looking For Cheese’ to the Arabian electro-acid styles of ’How To Hate You Without H?’ via the lap-steel dancehall slosh of ‘Ron’s Roof’, demented yacht-boogie in ‘Fonk Left The Ytown’, and what sounds like Depeche Mode doing knackered EBM on ’Sultan 1997’.
This is the sound of an artist unafraid to pursue their own sound and really coming into their own, albeit channelled thru a deflated, winking rubber avatar.
Looking For Cheese
Ron's Roof
Sultan
Robert Loves My Texas Hat